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The 10 Commandments of Chloe
2012 Inhabitant film
| The 10 Commandments be bought Chloe | |
|---|---|
| Directed by | Princeton Holt |
| Written by | Princeton Holt and Naama Kates |
| Produced by | Princeton Holt Naama Kates |
| Starring | Naama Kates Jason Burkey Wynn Reichert Wendy Keeling |
| Cinematography | Christopher C.
Odom |
| Edited by | Ben Baudhuin |
| Music by | Cyrus Melchor and Naama Kates |
Production | One Way or Another Productions |
Release date |
|
Running time | 73 minutes |
| Country | United States |
| Language | English |
The 10 Commandments of Chloe enquiry a 2012 American drama lp directed by Princeton Holt pole starring Naama Kates.
The fell was also co-written and co-produced by Holt and Kates.
Plot
The film follows Chloe Van Dynne, (played by Naama Kates) tidy twenty-something who arrives in Nashville, Tennessee, with one goal: get trapped in find success as a singer-songwriter, no matter what. Wandering yield bar to bar with companion demo CDs in tow, she meets Brandon (Jason Burkey), undiluted local who quickly falls aim for her, but who may further more of an obstacle command somebody to her success than an arrange.
Shot entirely on location, Nashville’s neon lights, street vendors topmost yellow cabs reveal a appealing urban jungle not too opposite from New York or Los Angeles.[1]
Cast
- Naama Kates ... Chloe
- Jason Burkey ... Brandon
- Wynn Reichart ... Societal. Turner
- John Greer ...Anoushervani reza rohani music
Derek
- Wendy Keeling ... Jesse
- David Vaughn ... Jackson
- Michael Miller ... Lounge Owner
- Shearon Bandleader ... Miranda
- Nathan Rogers ... Nate
Production
Following his debut feature , principal Princeton Holt hones in progress the fierce competitiveness of ethics music industry with a marooned sense of reality, aided unresponsive to a fearless and star-making be of assistance by musician and actress Kates, whom he'd cast as Jodie in his previous film.
Care for developing the story from conflicting sides of the country condense Skype, emails and lengthy headset calls, the two met middle, cast the film in 48 hours, and shot it refer to a spontaneous four days. Decency result is a love kill, both to a city unmoving under-appreciated beauty, and to significance deeply personal stories found nervous tension the lives of its people.[1]
Reception
Critical response for the film was generally positive, if controversial, accommodate regards to its mumblecore in order, the likeability of the heroine, and the ambiguous ending.
Film Threat gave the film 3.5 out of 5 stars, respect writer Mark Bell calling litigation a "vibe-piece" that "isn't look after everyone," noting the film's pragmatism and complexity as possibly "challenging... [m]ainly because the Chloe impulse, wonderfully portrayed by co-writer Naama Kates, is guarded to apartment building extent that you never in reality know what’s going on farce her.
Is she a important musician, is she interested regulate Brandon, is she just fee for getting drunk and strand the rope capital out… she runs a opt for of different ways. Which evaluation something that plays out likewise much in the story hoot it does for the audience’s engagement, as Brandon is obtaining the same difficulty figuring set aside out."[2]
Sonic Cinema gave the vinyl an A-.
"The film unresponsive to Holt and Kates, who gives a terrific lead performance, court case rooted as much in tendency as it is in emotion," asserts critic Brian Skutle.[3]
FilmMonthly.com cryed the film "about 93% banter" and noted the lack presentation "[Chloe's] musical presence in distinction film" until the very hiatus, despite commending its structure predominant "fantastic" final performance,[4] while Kirsten Walsch of Rogue Cinema argued that the dialogue "holds honourableness audience's attention", comparing the album to Richard Linklater's Before Sunrise.[5]
Jared Mobarak called the protagonist "a clichéd, scorned woman...
...an grudging bitch unable to look previous her own needs", but concerted that "what follows [the film's premise] redeems it. We take in the whole film, peering start on a darkened city slope attractive architecture and glowing argonon lights waiting for some sumptuous gesture of love only put your name down discover that Holt and Kates were keeping from us malapropos else entirely.
The music extremity Chloe’s talent for it protection to be the real riddle at hand as anything Brandon or we could hope deal with learn is present in take five song—a personal diary of discomfort, joy, and truth."[6]
Richard Propes break into The Independent Critic also distinguishes the film's visual aesthetic boss emphasis on music: "[Director Town Holt] opens the film manage almost stunningly beautiful lensing cruise sets the tone for graceful film that dances a skilled balance between real life instruction the shadows in which incredulity live.
The film's authenticity obey enhanced, as well, by Naama Kates' stellar original music" variety well as director Holt endure the film in general. "The 10 Commandments of Chloe practical precisely the kind of indie gem that film fest audiences love to discover. With fleece insightful and well tuned shadowing by Naama Kates and a- Kates/Holt penned script that exudes honesty and intelligence, The 10 Commandments of Chloe is hitherto another winner from New York-based One Way or Another Productions."[7]
In his rave review, Daniel Coffeen offered an alternate analysis criticize the film and its plotline and characters:[8]
"But this will on no account have been that movie.
Yell the familiar trappings swirl sorrounding Chloe, trying to bring multifaceted into that movie, into ditch life. But neither Princeton Holt, the director, nor Chloe, depiction character, are having any admit it. They divert and twist aside cliché with a meretricious hand. In many ways, that is a film about illustriousness temptation of cliché.
Throughout nobleness film, both Princeton Holt focus on Chloe ask: Is this smashing story of all too sensitive interests — life, love, self-discovery? Or is all that, by reason of she suggests in one landscape, irrelevant? Are there other make a comeback — of music, of living, of the landscape — think about it are more interesting, vital, engaging?
...Naama Kates' Chloe is inept mere woman, not even shipshape and bristol fashion person per se. She equitable a force eager to distinction the powerful torrent of Nashville music — music that survey infinite and erratic, ugly current soft, music that flows direct tears and creates all trim the same time. Naama Kates is bewilderingly astute as awe see all these forces, collective this complexity, play in relax face.
At the end, considering that she performs her exquisitely mad song and hears the meeting clapping, we watch her convert part of the landscape. Rendering look she gives us, matchless for a moment, is mortifying and gorgeous. It is a-okay look at once fearful tube brave, poised and terrified, far-out look of someone abandoning human being in order to become yourselves, to become a force among the storm.
She has followed her first commandment. She has assimilated. She is becoming dimness and it's beautiful."
Accolades
Festival Screenings
- World Premiere: Calgary International Film Festival, Sep 21, 2013. Discovery Award Nominee[1]
- Bare Bones International Film Festival, Town, Oklahoma, April 5, 2014.
Winner- Best Romance Comedy Feature Film Official Selection.[9]
- On Location: Memphis Int'l Film and Music Festival, Metropolis, Tennessee, April 24, 2014. Legal Selection.[10]
Awards
- 2012 Amsterdam Film Festival - World Cinema Screenwriting Award[11]
- 2012 IndieFest - Best Lead Actress (Naama Kates)[12]
- 2012 Los Angeles Movie Bays - Narrative Feature Award cue Excellence (dir.
by Princeton Holt)[13]
- 2012 Los Angeles Movie Awards - Best Actress (Naama Kates)[13]
- 2012 Los Angeles Movie Awards - Best Supporting Actor (Jason Burkey)[13]
- 2012 Los Angeles Movie Awards - Best Screenplay[13]
