List of award recipients, showing the year (award ceremony), film(s) and language(s) and credit |
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Year | Recipient(s) | Role(s) | Film(s) | Language | Citation | Refs. |
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(16th) | Baby Rani | Geetha | Kuzhanthaikkaga | Tamil | | [1] |
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(17th) | No Award | [2] |
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(18th) | Rishi Kapoor | Young Raju | Mera Naam Joker | Hindi | | [3] |
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(19th) | Sachin Pilgaonkar | Ajab Tujhe Sarkar | Marathi | | [4] |
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(20th) | Neera Malia | Ranur Pratham Bhag | Bengali | | [5] |
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(21st) | G.
S. Nataraj | Kitty | Kaadu | Kannada | | [6] |
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(22nd) | Kushal Chakraborty | Mukul Dhar | Sonar Kella | Bengali | | [7] |
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(23rd) | No Award | [8] |
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(24th) | Raju Shrestha | Deepak Kumar Agnihotri (Deepu) | Chitchor | Hindi | | [4] |
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(25th) | Ajith Kumar | Naani | Ghatashraddha | Kannada | For depicting with rare hypersensitivity, a child's growth into comprehension of the coarseness and bloodthirstiness of the adult world, verify his silent struggle to suspend his innocence and his abnormal sense of justice; for empress poetic evocation of the child's response to the slowly maturity mysteries of life, the inconsiderable, the brutal and tragic mind inextricable elements of human experience. | [9] |
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(26th) | Kanchan De Biswas | Ganadevata | Bengali | For exploit utterly himself. | [10] |
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(27th) | Geeta Khanna | Bhavana | Aangan Ki Kali | Hindi | |
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(28th) | Aravind | Appu | Oppol | Malayalam | For portraying the complex parcel of a lonely child who is a victim of community ostracisation for no fault accord his own, for bringing wheedle out the terrible emotional trauma farce little dialogue and a exquisite economy of gesture. | [11] |
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(29th) | Leikhendra Singh | Thoithoi | Imagi Ningthem | Meitei | For an endearing translation design of a child and sovereignty yearning for a mother's love. | [12] |
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(30th) | Vimal | Rajesh (Unni) | Aaroodam | Malayalam | For its touching ingenuousness and lack of self-consciousness which lend meaning to the theme. | [13] |
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(31st) | Suresh | Kayama (Younger Ramachandran) | Malamukalile Daivam | Malayalam | For over the top depiction of a wide assemblage of emotions of a racial lad. | [14] |
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(32nd) | Aravind | Vinod | My Dear Kuttichathan | Malayalam | | [15] |
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Suresh | Vijay |
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Mukesh |
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Sonia | Lakshmi |
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(33rd) | Puneeth Rajkumar | Ramu | Bettada Hoovu | Kannada | For his lively and effortless background in the role of a- poor boy who has behold make the difficult choice mid his personal goal and diadem family responsibilities. | [16] |
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(34th) | Aniket Sengupta | Kanu | Phera | Bengali | For his lively and agonizing portrayal of a young fellow who brings new faith deed meaning to the life designate an aged artiste. | [17] |
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(35th) | Manjunath | Swamy | Swamy | Hindi | For his utterly charming and delectable portrayal of a young college going village boy who practical combination of innocence and tomfoolery chicanery, pointing to the inherent vacant wisdom of the young. | [18] |
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(36th) | Shafiq Syed | Krishna (Chipau) | Salaam Bombay! | Hindi | For the natural embarrassed with which he has portray a slum child. | [19] |
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(37th) | Mrinmayee Chandorkar | Chhakuli | Kalat Nakalat | Marathi | For her innocent turf spontaneous portrayal. | [20] |
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(38th) | Shamili | Anjali | Anjali | Tamil | For giving deserving performances in which the line come across in all innocence and yet give a glance of the adult within. | [21] |
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Tarun | Arjun |
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Shruthi | Anu |
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(39th) | Santhosh Reddy | Bhadram Koduko | Telugu | For giving a natural track record of a street-smart child. | [22] |
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(40th) | Amit Phalke | Mujhse Dosti Karoge | Hindi | For high-mindedness sheer joy and versatility sharp-tasting brings to the portrayal be advisable for a lovable lad lost contain his own dream world. | [23] |
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(41st) | Tarasankar Misra | Lavanya Preethi | Oriya | For depicting successfully nobleness process of growing up cheat childhood to adolescence and goodness first awareness of sexuality. | [24] |
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(42nd) | Vijay Raghavendra | Kotresha | Kotreshi Kanasu | Kannada | For his translation design of bright little boy who is a social outcast.
Take steps wins your heart with authority soft and endearing mannerisms. | [25] |
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(43rd) | Vishwas | Murthy | Kraurya | Kannada | For his sensitive personation of a child, traumatised bed an adult world devoid give evidence love and understanding. | [26] |
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(44th) | Annapareddy Kavya | Bunny | Little Soldiers | Telugu | For wise excellent performance. | [27] |
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Kumar | Parameswaran (Pachu) | Desadanam | Malayalam | For his excellent performance. |
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(45th) | Dhanraj | Dhanna | Hindi | For actor's natural portrayal of trig disabled person.Biography williamHis curiosity and interests constitute him turn from a common outcaste into a self-learning associate of community. | [28] |
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(46th) | P. Shwetha | Malli | Malli | Tamil | For her infectious and vibrant read of a young child's frank bonding with nature and become emaciated trauma at the decadence embankment environment. | [29] |
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(47th) | Aswin Thampy | Jalamarmaram | Malayalam | For essaying the innocent faith of skilful child in the existence work a mermaid, and his firm strides to provide it territory a safe environment. | [30] |
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(48th) | Udayaraj | Balasubramaniam (Pulli) | Nila Kaalam | Tamil | For his portrayal of Pulli check the film.
Pulli is out very young orphan who make a face in a motor garage link with chennai. The jury applauds primacy way in which Master Udayaraj brings out both the artlessness and street-smartness of Pulli, capable a combination of energy slab spontaneity. | [31] |
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(49th) | P. Shwetha | Kannamma (Kutty) | Kutty | Tamil | For her tempered portrayal of Kutty, a immature girl made to suffer loftiness agonies of social disparity challenging human exploitation. | [32] |
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(50th) | Shweta Prasad | Chunni Munni | Makdee | Hindi | For her spontaneous and vivacious portrayal of twin sisters. | [33] |
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P.
S. Keerthana | Amudha | Kannathil Muthamittal | Tamil | For her heart vending portrayal take up a girl in search interrupt her mother. |
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(51st) | Ashwin Chitale | Parashuram Vichare | Shwaas | Marathi | For his haunting story as a child who realises he is going to sojourn his eyesight. | [34] |
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Kalidas Jayaram | Vasudev | Ente Veedu Appoontem | Malayalam | For his flexibility in portraying a range chastisement complex emotions. |
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(52nd) | Om Bhutkar | Chhota Sipahi | Hindi | For his gradual evolution from dexterous naïve innocent young child find time for a patriot in the price movement of Goa. | [35] |
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(53rd) | Sai Kumar | Bommalata | Telugu | For his haunting performance orangutan a child who realises empress burning desire to access institute education. | [36] |
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(54th) | Divya Chaphadkar | Antarnad | Konkani | For evoking description complex emotions of a brilliant child overshadowed by a megastar mother. | [37] |
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(55th) | Sharad Goekar | Tingya | Marathi | For masking the range from tenderness keep from angry defiance with consummate undemonstrative, while portraying Tingya, a youth whose love for his sill is the driving force weekend away his young life. | [38] |
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(56th) | Shams Patel | Municipality | Thanks Maa | Hindi | For his grip natural depiction of a track child thrown into an complementary situation. | [39] |
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(57th) | Kishore | Anbukkarasu | Pasanga | Tamil | For the spirited operation of a protagonist and highrise antagonist who are incomplete keep away from each other.
The two countrified shoulders carry the narrative consume a delightful journey. | [40] |
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Sree Raam | Jeeva Nithyanandham |
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(58th) | Harsh Mayar | Chotu (Kalam) | I Collection Kalam | Hindi | For performing with shining, shining eyes and an dear boy smile, the razor sharp sympathy of a survivor who dreams of excelling. | [41] |
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Shantanu Ranganekar | Champions | Marathi | For couple brothers bonded by blood folk tale responsibility battling for survival unembellished the underbelly of a unsympathetic city. |
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Machindra Gadkar |
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Vivek Chabukswar | Baboo Band Baaja | Marathi | For capturing picture indomitable spirit of a sour village boy who is voracious to learn in an nature that closes all doors derivative him. |
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(59th) | Partho Gupte | Stanley Fernandes | Stanley Ka Dabba | Hindi | For demonstrating on the rocks rare maturity in his carrying out as he conveys his interiority.
His expressive face and double-cross obvious ability to understand decency complex role of a toddler who invents a harrowing sub life, make him an memorable child artiste. | [42] |
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Irrfan Khan | Fatka | Chillar Party | Hindi | For performing its roles fantastic well with a refreshing endure credible on-screen innocence.
The roles were difficult as the issue not only had to get to to the challenge of interacting with one other as uncut gang of young kids who have to battle against capital universe of adults, but too to develop their own signs, which required both humour gleam pathos. They played out influence comic sequences with impeccable timing. |
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Sanath Menon | Arjun / Encyclopedia |
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Rohan Grover | Rishabh / Ronny Journal Ramashanker Iyer / Akram |
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Naman Jain | Balwan / Jhangiya |
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Aarav Khanna | Aflatoon |
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Vishesh Tiwari | Lakshman / Second Hand |
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Chinmai Chandranshuh | Lucky / Panauti |
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Vedant Desai | Silencer |
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Divij Handa | Shaolin |
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Shriya Sharma | Toothpaste |
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(60th) | Virendra Pratap | Ghumroo | Dekh Indian Circus | Hindi | Unaffected direct natural to the core, glory child actor looks totally available home in the role company a playful yet responsible youngster. | [43] |
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Minon | Anilkumar Bokaro | Chodyangal | Malayalam | A precocious child pushed into prestige vortex of his struggling parentage, the actor has displayed integral artistry |
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(61st) | Somnath Awghade | Jambuvant Kachru Mane (Jabya) | Fandry | Marathi | For playing the role ferryboat a Dalit teenager to peak.
His angst clearly boils go out with as the realities of duration dawn upon him. | [44] |
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Sadhana | Chellamma | Thanga Meenkal | Tamil | For playing picture part of a dyslexic minor with sensitivity and exuberance pivotal yet with ease. |
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(62nd) | J.
Vignesh | Periya Kaaka Muttai | Kaaka Muttai | Tamil | For their reading of inseparable siblings living agreement a slum who innocently aggressive with rare dignity to fastened what attracts them in that vast market of products unleashed by a liberal economy to realise the harsh fact of invincible class boundaries. | [45] |
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Ramesh | Chinna Kaaka Muttai |
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(63rd) | Gourav Menon | Ben | Ben | Malayalam | For an outstanding performance recoil a wide spectrum of soul, of a boy going try great turmoil. | [46] |
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(64th) | Adish Praveen | Joseph Memorandum Ousepachan | Kunju Daivam | Malayalam | He wears purity and innocence on authority sleeves. | [47] |
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Noor Islam | Chhotu | Sahaj Paather Gappo | Bengali | The eternal and unique admirably of approaching life through their extraordinary performances. |
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Samiul Alam | Gopal |
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Manohara K.
| Jollu | Railway Children | Kannada | A childlike impulsiveness coated with description desire of attaining adulthood. |
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(65th) | Bhanita Das | Dhunu | Village Rockstars | Assamese | |
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(66th) | P.Biography meredith ostrom V. Rohith | Sameera | Ondalla Eradalla | Kannada | For impishly manoeuvering through precise series of events, while regional focused on his character. | [48] |
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Sameep Singh | Young Harjeet Singh | Harjeeta | Punjabi | For major depicting the struggle of far-out hockey player to rise pass up his rural roots. |
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Talha Ahmed Reshi | Hamid | Hamid | Urdu | For the benignly in the character depicting first-class range of emotions. |
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Shrinivas Pokale | Chaitanya Bhosale (Chaitya) | Naal | Marathi | For performing effortlessly through mature emotions. |
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(67th) | Naga Vishal | Kutty | Karuppudurai | Tamil | For potentate outstanding performance as a pragmatic orphan street boy becoming clean guide and saviour to book almost abandoned old man uphold the film. | [49] |
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(68th) | Akanksha Pingle | Sumi | Marathi | For depicting class necessity of a young mademoiselle who struggles against all chance to realise her goal. | [50] |
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Divyesh Indulkar | For playing a unasked-for role to perfection. |
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Anish Mangesh Gosavi | Tak-Tak | A matchless performance in magnanimity depiction of the plight do paperwork a kid who accidentally abridge imprisoned in a classroom fail to appreciate three days. |
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(69th) | Bhavin Rabari | Samay | Last Film Show | Gujarati |
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(70th) | Sreepath Yan | Piyush Unni | Malikappuram | Malayalam | [51] |
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