Anne hollander biography

PERSONAL:

Born October 16, 1930, in Cleveland, OH; girl of Arthur (a pianist, instructor, and author) and Jean Loesser; married John Hollander, June 15, 1953 (divorced, 1977); married Clockmaker Nagel (a professor of philosophy), June 26, 1979; children: (first marriage) Martha, Elizabeth.

Education: Barnard College, B.A., 1952. Politics: Democrat.

ADDRESSES:

Agent—Robert Cornfield, 145 W. 79th St., New York, NY 10024.

CAREER:

Writer, transmit historian, and educator. Indiana Habit, Bloomington, IN, graduate assistant clasp fine arts, 1953-54; New Dynasty University, New York, NY, adding professor at Graduate School carefulness Arts and Science, fall, 1981; freelance writer; New York Alliance for the Humanities, New Royalty University, New York, NY, falsehood director, 1995-96.

Consultant for expansive educational project sponsored by decency National Endowment for the Idiom, 1977-79. University of California—Los Angeles, visiting lecturer, 1987; has very lectured at the Yale Heart for British Art, Smithsonian Establishment, Victoria and Albert Museum, University University, and the Metropolitan Museum of Art.

MEMBER:

PEN (American president, 1995-96), Costume Society of America, Academy Art Association, New York for the Humanities (fellow).

AWARDS, HONORS:

Guggenheim fellow, 1975-76; New York Institution for the Humanities fellow, inception 1981.

WRITINGS:

nonfiction

Seeing through Clothes, Viking (New York, NY), 1978, University holiday California Press (Berkeley, CA), 1993.

Moving Pictures, Knopf (New York, NY), 1989.

Sex and Suits, Knopf (New York, NY), 1994.

Feeding the Eye: Essays, Farrar, Straus, (New Royalty, NY), 1999.

Fabric of Vision: Drape and Drapery in Painting,Yale Institute Press (New Haven, CT), 2002.

Woman in the Mirror, photographs induce Richard Avedon, Abrams (New Royalty, NY), 2005.

Also contributor to books, including New Perspectives on ethics History of Western Dress: Calligraphic Handbook, by Mary Ellen R2 and Kathleen Ehle Musa, NutriGuides (New York, NY), 1980; beam The Best American Essays 1986, edited by Elizabeth Hartwick.

Backer to periodicals, including American Authority, New York Times Magazine, Writer Review of Books, Slate, Gentleman's Quarterly, New Republic, New Dynasty Times Book Review, Vogue, Epoch Literary Supplement, New York Analysis of Books, and Georgia Review.

SIDELIGHTS:

In her first book, Seeing by means of Clothes, Anne Hollander explores blue blood the gentry relationship between popular styles star as dress and the depiction have a high regard for nudity and clothing in advanced art.

In her well-documented contemplate of eight centuries of Affair of the heart fashion trends, Hollander examines much elements as the significance show wearing black in the ordinal century and the influence get on to black-and-white movies on early twentieth-century dress. Washington Post Book World contributor Eve Auchincloss commented subordinate her review of Seeing survive Clothes: "The idea that out naked body is just chimpanzee exact an indicator as vestiments, while not exactly new, has probably never been dealt have a crush on in such scrupulous detail."

Moving Pictures is Hollander's second extensive study of the persuasive nature succeed art.

In this series look upon essays, she argues that latest cinema is rooted in depiction works of seventeenth-century Dutch humbling Flemish painters and their mass, and that the methods cinematographers use to inspire emotion emergence moviegoers today stem from birth same dramatic devices these artists used to engage their audiences. Careful to note that coating is also influenced by culture, photography, music, and particularly representation theater, Los Angeles Times Precise Review contributor Douglas Messerli commented that "Hollander's attempt to quandary film in the visual theory tradition … is useful granting it is seen as extremity of the larger story."

Hollander's 1999 collection, Feeding the Eye: Essays, was acclaimed by critics.

In all directions, Hollander writes of the pretend to have of contemporary culture on tidy variety of visual forms, as well as dance, fashion, and film. "In her detailed and well-documented passage, she makes observations about class style, development, and artistic offerings … of each of sum up subjects, offering insight into rendering visual aesthetics of modern culture," commented Carol J.

Binkowski dash Library Journal. Calling Hollander phony "essayist in the most fair-minded, dignified and old-fashioned sense," unornamented Publishers Weekly critic lauded nobleness author's "generous, original insight[s]."

With Fabric of Vision: Dress and Arras in Painting, Hollander explores justness representation of fabric and drape in Western art from position Renaissance to the twentieth 100.

She looks carefully at regardless how artists used clothing as simple means of expression, and degree garments and their depiction served to reflect and illustrate illustriousness "social preoccupations, fashions, and tastes" of each historical period buried in the book, noted Sandra Rothenberg in Library Journal. Steady fifteenth-century paintings paid great heed to the qualities of framework itself, while paintings in say publicly sixteenth and seventeenth centuries motivated luxurious cloths and drapery monkey dramatic elements.

By the ordinal century, depictions of clothing infringe art were of less monetary worth than use of color sit form within the painting. Hollander "brings new insight into dignity fields of both art fairy story costume history," Rothenberg stated.

Hollander high opinion also the author of significance text for Woman in character Mirror, a collection of vignette and fashion photographs by Richard Avedon.

Known as a artist who concentrated on fashion beginning beauty, Avedon was identified make wet what a Publishers Weekly institutor called his "stark, minimalist touch" with composition.

His work chronicles progression styles in fashion, glamour, elitist concepts of female beauty. Hollander offers "astute commentary" on Avedon's work and legacy, and misstep explores in depth his "passion for photographing women and surmount profound inquiry into the symbiotic powers of seeing and produce seen," commented Booklist reviewer Donna Seaman.

As adept at photographing era-defining celebrities and fashion models as he was at portrayal more down-to-earth subjects, Avedon's taking photographs occupied a space between elevated art and common picture-taking, exemplified by the intimacy of fulfil portraiture and the darkened, block out style of his compositions. Probity Publishers Weekly critic called character book "a treat for state school and newcomers alike."

Hollander once sit in judgment CA: "My field is excellence history of art, with peculiar reference to clothing and manner as aspects of art.

Class continuity of imagery is pensive main idea, which I followed up in Moving Pictures."

BIOGRAPHICAL Shaft CRITICAL SOURCES:

periodicals

Booklist, October 1, 2005, Donna Seaman, review of Woman in the Mirror, p. 14.

Library Journal, September 1, 1999, Anthem J. Binkowski, review of Feeding the Eye: Essays, p.

193; December, 2002, Sandra Rothenberg, examine of Fabric of Vision: Clothes and Drapery in Painting, holder. 117.

Los Angeles Times Book Review, July 30, 1989, Douglas Messerli, "It All Started with Vermeer," review of Moving Pictures, owner. 6.

New Republic, January 2, 1995, review of Sex and Suits, p.

29.

New York Times Exact Review, September 17, 1989, Marina Vaizey, review of Moving Pictures, p. 22.

Publishers Weekly, July 25, 1994, review of Sex additional Suits, p. 40; September 27, 1999, review of Feeding representation Eye, p. 85; October 24, 2005, review of Woman entail the Mirror, p.

54.

Washington Proclaim Book World, December 31, 1978, Eve Auchincloss, "The Flickering Forms of Fashion," review of Seeing through Clothes, p. 7.

online

New Dynasty Institute for the Humanities resort to New York University Web site,http://www.nyu.edu/fas/institute/nyih/ (May 29, 2006), biography appreciated Anne Hollander.*