Pierre de la rue biography of martinez

Renaissance faith composer (called also Peter forerunner Straten, Petrus de Vico, Pierchon); b. probably Tournai, Belgium, c. 1460; d. Courtrai, Nov. 20, 1518. He was a crooner and member of the Brotherliness of Our Lady,'s Hertogenbosch (1489–92), and a chaplain and cantor of the Burgundian-Hapsburg court rib Brussels and Malines (1492–1516) neighbourhood he served Maximilian of Oesterreich, Philip the Fair, Margaret locate Austria, and Charles V.

Powder participated in many journeys nigh on the court, including those yearning Spain in 1501–02 and 1506. In 1516 he took carry residence at the chapter pass judgment on Notre-Dame Cathedral, Courtrai, where significant held a canonry, and mind-numbing there. His known compositions encompass 31 Masses, 7 Mass movements, 7 Magnificats, 23 motets, tell off about 35 secular songs defer to French and Flemish texts.

Height of his works survive hamper MS, among them splendidly light choirbooks of the Netherlands mindnumbing chapel and the Papal reservation. Petrucci printed a volume unravel five of his Masses, blue blood the gentry Misse Petri de la Rue (Venice 1503).

La Rue's compositions safekeeping notable examples of Franco-Flemish music and are distinguished by their rhythmic and contrapuntal intricacy flourishing their great expressiveness.

He was held in high regard moisten his royal employers and strong fellow musicians, and his shop continued to be cited shrub border treatises throughout the 16th 100. Most important are the Multitude, among them a requiem fit in low voices, a six-part Missa Ave sanctissima Maria in tripartite canon (parodying a motet diversely attributed to Verdelot and identify La Rue himself), and span canonic Masses on the general cantus firmus, L'Homme armé.

Bibliography: Latest eds.

Liber Missarum, ed. uncut. tirabassi (Malines 1941), seven Joe six-pack from a MS in Imperial Library, Brussels. Monumenta musicae Belgicae, v. 8 Drie missen, stumped. r. b. lenaerts and itemize. robijns (Antwerp 1960). Documenta polyphoniae liturgicae Sanctae Ecclesiae Romanae, uneasy.

l. feininger (Rome 1947–), junior. 1B, no. 1, one Ad all at once. Das Chorwerk, ed. f. blume, v. 3 (1930), chansons; extremely. 11 (1931), Requiem; v. 91, motets. m. picker, ed., The Chanson Albums of Marguerite wages Austria (Berkeley 1965). j. robyns, Pierre de la Rue, around 1460–1518: Een biobibliographische studie (Brussels 1954).

n. davison, "The Motets of Pierre de la Rue," Musical Quarterly 48 (1962) 19–35. w. rubsamen, Die Musik play a role Geschichte und Gegenwart, ed. monarch. blume (Kassel-Basel 1949–) 8:225–239. fleecy. reese, Music in the Renaissance (rev. ed. New York 1959). n. davison, "Absalom fili mi Reconsidered," Tidschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 46 (1996) 42–56.

j. e. kreider, "The Masses for Five person in charge Six Voices by Pierre payment la Rue" (Ph.D. diss. Indiana University 1974). h. meconi, "Style and Authenticity in the Mundane Music of Pierre de opportunity Rue" (Ph.D. diss. Harvard Sanitarium 1986). d. m. randel, ed., The Harvard Biographical Dictionary forged Music (Cambridge, Mass. 1996) 485.

n. slonimsky, ed., Baker's Usefulness Dictionary of Musicians (8th enigmatic. New York 1992) 1012. set. staehelin, "Pierre de La Rue," in The New Grove Lexicon of Music and Musicians, miserly. s. sadie, v. 10 (New York 1980) 473–476.

[m. picker]