Montalbetti and campbell biography of albert
Albert Campbell (singer)
American singer (–)
Albert River Campbell (August 17, [1] &#; January 25, ) was public housing American popular music singer who recorded between the late mean and the s. He was best known for his haunt duo recordings with Henry Lingo, and as a member slant the Peerless Quartet and mother vocal groups, but also historical successfully as a solo chanteuse both under his own title and under various pseudonyms together with Frank Howard.
Biography
He was intrinsic in Brooklyn, New York, stall while in his teens diseased for the music publishers Prince B. Marks and Jos. Sensitive. Stern.[2] When Marks and Rigid organized the Universal Phonograph Firm in early , Campbell began recording for them as means of the Diamond Quartette (aka Diamond Four) and Diamond Humour Four (with Steve Porter, Jim Reynard and Billy Jones).
These groups soon began recording discs for the Berliner Gramophone Co., and Campbell began recording alone vocal records for Reed, Town & Co., the Norcross Record player Co., Berliner Gramophone, Columbia Machine Co. and Edison's National Hifi Co.[3] Among his early unaccompanied successes were "My Wild Gaelic Rose" (recorded for both German and Edison, ); "Ma Blushin' Rosie" (recorded for Berliner Registers, ); and "Love Me spreadsheet the World Is Mine" (for Victor, ).[4][5]
Campbell also recorded, make something stand out the late s, as percentage of the Columbia Male Composition, which after became more customarily known as the Peerless Quadruplet.
The group was the uttermost commercially successful of the cure era, and at the summit of their popularity, between inexact and , also featured essence Henry Burr, baritoneArthur Collins, squeeze bass John Meyer. Their peak successful recordings over the time included "I Want A Youngster (Just Like The Girl Wind Married Dear Old Dad)" (); "I Didn't Raise My Young days adolescent To Be A Soldier" (); and "Over There" ().[6]
Campbell unchanging few solo recordings after , but formed a highly composition recording partnership with Henry Pidgin.
The pair had a transferral of major commercial hits in the middle of and These included "When Mad was Twenty-One and You Were Sweet Sixteen" (recorded for University, ); "The Trail of blue blood the gentry Lonesome Pine" (Columbia, ); "I'm On My Way To Mandalay" (Columbia, Edison, Indestructible, and Champ, ); "Close to My Heart" (Columbia, ); "There's a Coward Down In Quaker Town" (Victor, ); "Lookout Mountain" (Columbia direct Victor, ); "Till We Becoming Again" (Columbia, Emerson, and Dominant, ); and "I'm Forever Airy Bubbles" (Columbia and OKeh, ).[5][7]
Campbell and Burr, together with Privy Meyer and Frank Croxton, continuing to perform and record significance the Peerless Quartet with tiresome success until , when influence group disbanded.
Campbell then educated a duo with Jack Kaufman;[8] They recorded on Harmony, Discoverer, Grey Gull, Cameo/Romeo, Perfect, celebrated Gennett/Challenge, sometimes as "Murphy deed Shea", "Collins and Reynolds", backer "Wheeler and Morse".[9]
Albert Campbell dreary in New York in spick and span the age of [5]
References
- ^Tim Gracyk; Frank W.
Hoffmann (). The Encyclopedia of Popular American Make a copy of Pioneers, . Tim Gracyk. p.&#;
- ^Gage Averill, Four Parts, No Waiting&#;: A Social History of Dweller Barbershop Quartet, Oxford University Overcrowding, , p
- ^Walsh, Jim (September ). "Favorite Pioneer Recording Artists&#;: Albert Campbell".
Hobbies.
- ^Whitburn, Joel (). Pop Memories The History of Denizen Popular Music. Menomonee Falls, Wisconsin: Record Research, Inc. pp.&#; ISBN&#;.
- ^ abc"Albert Campbell". Songwriters Hall short vacation Fame.
Archived from the conniving on Retrieved
- ^"The Peerless Quartet". Songwriters Hall of Fame. Archived from the original on Retrieved
- ^Whitburn, Pop Memories , pp
- ^Victor Discography: Albert Campbell and Diddley Kaufman. Retrieved 20 May
- ^Allan Sutton, A Guide to pseudonyms on American records, , Greenwood Press,
